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Thirteen marbles, one bronze angel

Emma Stebbins’s angel became a Central Park landmark. Chicago now gathers 13 of her marbles

Angel of the Waters was unveiled at Bethesda Fountain in 1873. The touring show puts portraits, allegories and Stebbins’s life with Charlotte Cushman around that famous bronze.

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Wide spring view of Bethesda Fountain in Central Park. Emma Stebbins’s dark bronze winged Angel of the Waters rises above two fountain basins, with the Lake and green trees behind it.
Bethesda Fountain operating on April 18, 2026, with Emma Stebbins’s Angel of the Waters above the basins. The fountain is now turned off for an approximately one-year restoration, while Bethesda Terrace remains open. This photograph does not show the Chicago exhibition. Photo by Christian David, cropped from the bottom to 16:9, resized and compressed by OMG News Network. CC BY-SA 4.0. Photo by Christian David via Wikimedia Commons. CC BY-SA 4.0. The 7,299 by 4,866 original was cropped from the bottom to a 7,299 by 4,106 16:9 frame, resized to 1,600 by 900 pixels and compressed as a progressive JPEG. No generative alteration, object removal, relighting or color manipulation was used. The inspected delivery file was 464,977 bytes. Original SHA256 0cc2e09113fad1a971201fce7589a3d8071338e6d8dc70a7e7bb70264262c435. Delivery SHA256 39122d8cf27178b38460b513c27220d09a3f074d96a1ec1ae73170378021d8d4.

A lily hangs from one hand. Four figures stand below. Wings spread over a fountain built to celebrate clean water. Emma Stebbins’s Angel of the Waters was unveiled at Bethesda Fountain in 1873. New York City had awarded her the commission a decade earlier, making her the first woman to earn a public sculpture commission from the city. The bronze became a landmark. The rest of her career never became nearly as visible. A touring exhibition that opened October 9 at Chicago’s Driehaus Museum brings together 13 of Stebbins’s marble sculptures, plus paintings, photographs and works on paper. One angel is finally the entrance to a larger body of work, not its entire frame.

The angel carries a clean-water story

Bethesda Fountain commemorates the Croton Aqueduct, which brought fresh water to New York City in 1842. Stebbins connected that engineering achievement to the biblical Pool of Bethesda, whose waters were said to gain healing power after an angel stirred them.

The Central Park Conservancy documents the symbolism in the bronze. The lily stands for water purity. The four figures below represent peace, health, purity and temperance.

Angel of the Waters is also the only artwork in Central Park’s collection that the park’s original designers and administrators commissioned, according to the Conservancy. The other monuments were donated.

The fountain is currently turned off for an approximately one-year restoration. Bethesda Terrace remains open. The April photographs in this article show the water running before that work began.

Close view of Emma Stebbins’s bronze Angel of the Waters above the upper fountain basin, with the lily in her left hand and the four smaller figures visible below.
Angel of the Waters, its lily and the four figures below it at Bethesda Fountain on April 18, 2026. The photograph predates the current restoration and does not show the Chicago exhibition. Photo by Christian David, resized and compressed by OMG News Network. CC BY-SA 4.0. Photo by Christian David via Wikimedia Commons. CC BY-SA 4.0. The complete 5,152 by 7,728 portrait frame was resized proportionally to 1,200 by 1,800 pixels and compressed as a JPEG. No crop, generative alteration, object removal, relighting or color manipulation was used. The inspected delivery file was 688,150 bytes. Original SHA256 4dbb7969c607bef174501ffb6fb6609ecae7a92801e0191276d8c775caf0c1af. Delivery SHA256 69c2cca3b9727017a13e44235df04cd6dc2dc66dde56426f7dba2546cfc0f79c.

The commission came before the landmark

New York City awarded Stebbins the commission in 1863. She sculpted the fountain figure from 1864 to 1867, and it was unveiled six years later. The bronze was not added to an already famous fountain. It helped define the fountain from its public debut.

Stebbins was then working in Rome among American and European artists. Her practice also included portraits, literary and biblical subjects, and allegories of American industry.

The Driehaus show brings 13 of her marble sculptures from collections in the United States and Europe into one installation. Its organizer, the Heckscher Museum of Art, calls the project the first museum exhibition devoted to Stebbins. That is an institutional claim about a dedicated museum exhibition, not a claim that nobody preserved or studied her work before now.

The number changed with the venue. Heckscher’s earlier installation listed 14 sculptures; the Chicago stop lists 13 marbles. The Driehaus exhibition runs through April 18, 2027.

Charlotte Cushman is present without becoming the angel

Stebbins lived and worked in Rome with the actor Charlotte Cushman, her partner. The exhibition places Cushman directly in the record through Stebbins’s portrait bust, photographs, rare works on paper and early editions of the biography Stebbins published after Cushman’s death.

A familiar theory holds that Cushman modeled for Angel of the Waters. The Central Park Conservancy says many people have speculated about that connection. It does not present the idea as documented fact.

The theory is not needed to bring the two women into the same room. At the fountain, Cushman may or may not be present in the angel’s face. In Chicago, her likeness is there in the portrait Stebbins actually made.

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